Broadway: A Mirror of American Life

A timeline of major events in the history of American musical theater

<< 1900s to 1950s

1960s

1960 to 1963: JFK

Irving Berlin's Mr. President (1962) features Kennedy-esque family; a week after Kennedy’s assassination, Jacqueline Kennedy tells Life that her husband was inspired by the musical Camelot.

1955 to 1964: Civil rights movement

Golden Boy (1964) stars Sammy Davis as a black boxer rebelling against prejudice. Cabaret (1966) boldly deals with rise of anti-Semitism in Hitler's Germany.

1967: Counter-culture

Fiddler on the Roof (1964) taps into the era's tensions around the "generation gap." Hair (1968) captures the youth movement of the 1960s with a rock score, hippie cast, nudity, and anarchic tone.


1970s

1964 to 1973: Vietnam War

Hair (pictured) features several anti-war moments, including draft-card burnings. 1776, a musical about the Declaration of Independence, is invited to perform at the Nixon White House in 1970 under the proviso that one of its anti-war numbers is dropped; the producer refuses and the show is eventually performed intact.

1970: Sexual revolution

Stephen Sondheim's Company (1970) deals with open marriages in "swinging" Manhattan.

1973 to 1975: Watergate

Bob Fosse's Chicago (1975) holds a vicious mirror up to political corruption in the judicial system.

1976: Bicentennial

Alan Jay Lerner and Leonard Bernstein's only collaboration, 1600 Pennsylvania Avenue, celebrates the American presidency. In Pacific Overtures, Sondheim and Harold Prince critique American imperialism in Japan.

1970 to 1978: Black arts movement

Several black musicals find favor and success on Broadway: The Wiz, Ain't Misbehavin', Sophisticated Ladies.


1980s

1983 to present: AIDS crisis

La Cage aux Folles (1983) puts a gay romance center stage while the AIDS epidemic spreads across the country, deeply affecting the Broadway community.

1985 to 1990: Globalization

British producer Cameron Mackintosh offers such shows as Cats, Les Miserables and Phantom of the Opera (pictured) first in England, then New York City, and eventually all over the world.

 



1990s

1991: Cultural diversity

Actors' Equity, on behalf of its Asian-American members, protests British actor Jonathan Pryce playing Eurasian character in Miss Saigon.

1994 to 1997: Urban renewal

The New Amsterdam Theatre is resurrected, triggering a major overhaul of 42nd Street. Following Disney's success with stage versions of Beauty and the Beast (1994) and (pictured) The Lion King (1997), other corporations invest in Broadway musicals.

1997: Celebrity culture

When Chicago returns to Broadway in a revival, critics mention its striking relevance to celebrity culture, Court TV, and the O.J. Simpson trial.


2000s

2001: 9/11

Terrorist attacks devastate Manhattan and Broadway shows close for an unprecedented two days. Pure musical comedies like The Producers (pictured) and Hairspray bring entertainment relief to audiences.

2004: Presidential election

Republican National Convention convenes in NYC; Wonderful Town and Phantom of the Opera appear on official lists for delegates' tickets.

 

                                                                                                                    

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